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Taste Is Not Just Another Sense

Garry Swan ponders where our musical tastes come from....




Why do some people only listen to drum and bass
, and others only to metal? Why do some only have time for middle of the road pap, and others hardcore punks?



I have a fairly wide-ranging taste(I wont say I listen to a bit of everything though, because its jolly hard to find a good cd of African tribal music in HMV these days) which covers punk, prog, house, techno, dance, trance, metal, gothic, industrial, post-modern and many other things which off the top of my head make me sound a lot more pretentious than I hope I am.



I have friends who will only listen to one type of music, and one type only, dismissing everything else as "Sh*t", which is not only eloquent, but also wrong.



Its hard having a party where a friend will turn up, dismiss someone elses choice in an instant and leave the room, without things getting tense. 



For example, my iTunes has just gone from a Franz Ferdinand B-Side to Ackercocke's charming "Summon the Antichrist". Skipping ahead, its gone now to Thin Lizzy and after that Van Morrison and ended up on Pendulum.



Those 5 songs would easily alienate half of friends, and the other half would be too busy laughing at me having a Franz B-Side on my iTunes. Buggers. 



I cannot for the life of me understand why people cant have more ecclectic tastes. 



As a young'un, I lived with my mum. She was(and possibly still is) a great lover of Reggae, and she used to listen to pop radio stations all the time in the car. My dad, on the other hand, is an aging punk, with more than a splash of New Wave in there. When my sibling and I used to visit him on our holidays, he'd have us listening to things as diverse as rare Stiff Little Fingers ep's on white label, to the darker Cure albums, and finishing off with a bit of Ten Pole Tudor. My dad's best friend would try to get us to listen to Motorhead, and Black Sabbath, but not having a huge amount of contact with him, they didnt impact as much. 



My sister, being a year and half older than me, listened to boybands(mid-90's, she has no excuses) and I would normally be given some compilation cd at christmas which would last me ages until I found songs I really liked enough to buy them. 



Are parental and peer influences really that big that some people just absorb their immediate friends and families choices with no personality for themselves? I know my parents had a big influence on getting me to enjoy music, but I'm not a big fan of the same things as them. I appreciate, certainly, but I dont worship. Although, I have my sister to thank for my catalogue of knowledge of Take That lyrics, at least 10 years after she last played one of their songs. Thanks, Sam.



Dear reader, I'll end as I did my last offering, with questions to ask yourself;



Who introduced you to music? Why do you like your favourite band? How varied are your tastes? Would your friends laugh at you for a Franz B-Side?


Comments

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  • Rich Kemp

    19-Sep-2009

    Rich Kemp

    Well put, I'd say.

    It does become frustrating when I speak to family members about the music that we like and dislike and end up being told that everything I listen to is just rubbish. Or, better still, it's all weird and I'm just listening to it to be awkward.

    It took quite a few years, but I finally decided that it's not really worth arguing with family members as we're never going to agree. Especially if what they consider to be a good track is one that's been played on the radio a whole bunch of times. It's almost as if they've been conditioned to only accept music as decent if it's had the Local Radio Stamp Of Approval.

    Maybe this gives rise to my family's accusations, but my favourite bands include Biffy Clyro, Radiohead and Mogwai. The reason it seems to give rise is for these bands' insistence on progression. Take Radiohead, for example, who have constantly gone from one step to the next, keeping the excitement, the intrigue and also continually accomplishing as artists. It's not just the fact that they're always looking to create something different, but that they care so much about changing that they improve as they do so.

    Well, I'm sure our Gangster Rap siblings wouldn't understand. My introduction to music came from my Dad, when he broke out his punk LPs with me one afternoon. We then proceeded to rip-roar through his collection, weirding out to RUSH's 2112, banging heads to AC/DC's Highway To Hell, before landing on NIRVANA's Nevermind. It was this album that I took home with me back to my Mum's that fateful Saturday afternoon and thus kick-started my love of music. From then on it was simple, natural progression - mimicking a little Radiohead's style changes.

    What's interesting though is how when I come back to my Dad now with any records I really like, I have to do a quick mental evaluation: "Is Dad going to like this? Is it rocking enough?"

    Because, of course, Dad's stuck in his timezone, which I saw as a great period, but also a stepping stone. So, if I'm to show him something, it can't be electronic. It can't be dance. Trip-hop is OK, but house is unacceptable. He's a meat and potatoes man, my Dad. "Guitar and Drum, son. That's how it's done."

    Interesting, though. The young Padawan gets taught by the Jedi about how to move on from the same old trash, but then the Jedi has forgotten to move on himself.

    As for Franz; I think I probably hang out with too many music snobs nowadays and so yes, laughter would ensue.

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