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Talkin' Hop Farm Decision Blues

To see or not to see? That is the question, particularly when it comes to legendary musicians...

 

Here at Gobshout, we like to ponder life's big questions. Is there life after death? Who will be the real winner in the general election? Are The Pixies the yardstick by which all American heavy rock acts should be judged? So when the opportunity to mull over another one came up, keyboards were duly grabbed. The question of course is: should one go and see Bob Dylan at Hop Farm?

 

This may not immediately seem life-defining, so perhaps I should explain. For years now I have proclaimed (always vocally and usually after a few ales) that I never want to see Bob Dylan. I own every single record (even the Jesus ones) and have a framed picture of him above my bed (really). He is the greatest artist ever to walk the earth, in my opinion. The early live recordings on his Bootleg series are genre-defining and when you listen to them, you can literally hear the musical landscape shifting. But the further you go through his career, the poorer the live shows become. The voice changes, the time signatures get mixed about, the classic songs are often replaced by obscure album tracks and off-cuts. Those of you who have read his excellent Chronicles will recall reading with mounting horror the four-page explanation of the new singing “style” he adopted in the late eighties to “revitalise” his music (It starts on page 156 for those of you with well-stocked bookshelves). And so my fear is that seeing Bob Dylan in his current incarnation might forever tarnish my image of him.

 

I remember a review of one of Dylan's London shows in a broadsheet newspaper where the majority of the audience was described as being "here to touch the hem". The review gave him five stars, which makes me wonder what they would have done, had they been at Newport Folk Festival. I've never been one for hem touching. There is nothing on Darwin's green Earth that would make me want to see the limp crap that Billy Corgan is currently touting as "The Smashing Pumpkins" (those inverted commas are deliberate), even though the man himself is a personal hero for his pre-millennium work. But when the bill for this year's Hop Farm Festival was announced, something shot through me, and I realised I had a decision to make.

 

It's Dylan's only UK show this year. It's at a festival. Previously headlined by Neil Young. On a farm. Surely, if he's ever going to play a set of greats again this would be it, right? And (although I don't like to admit this) he might not last forever, how would I feel if he went and I'd never seen him? On the other hand though, if he's not great, is there enough cheap gassy lager in the world to wipe the memories and reset the fragile perfection of the image in my mind?

 

Of course, in the back of my mind I am aware that I won't turn up to find a wiry twenty-something on stage running through a defiant With God on Our Side. But equally it would be nice not to find an old man running through a scat-jazz version of Political World. He's what music writers like to call a "famously frustrating performer", which is a nice way of saying you might get a setlist full of b-sides and album tracks because he does what he likes. I'm a great believer in the idea that Dylan has earned the right to do as he pleases, but this is not about him, it's about me and my hang-up about whether my image of him will be forever dented by seeing him live in his later years. Would I regret it, or would I be happy to forever say “Yes, I saw Dylan” to future dinner party guests and as-yet-unborn children?

 

Either way, for the moment, my £70 is still in my wallet. It may be that I finally crack and just blow the money and stop all this pathetic worrying and over-thinking. If so, at the very least, it's unlikely he'll be busting out any of his recent Christmas album in early July. He wouldn't. Would he…?

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  • David

    14-May-2010

    David

    Hmm. This is a tricky one. But in my many years as a music critic I saw Bob Dylan perhaps half a dozen times and never once was it a remotely satisfying experience. Throughout the shows, audience members could be seen turning to each other quizzically, saying, "What's this one, then?", as Dylan murdered another song from his repertoire, either by rattling it off like a Mid-West cattle auctioneer (Tangledupinblue) or just by drawling incomprehensibly. I am a huge Bob Dylan fan: Blood on the Tracks is probably my all-time favourite album by anyone. Ever. But these shows were dispiriting affairs in which Dylan, clearly hoping to rekindle some kind of spark of spontaneity, treated his back catalogue with disdain; the shows were carried by his band, who were not helped by the fact that Dylan, wilfully, often had his back to them when he was changing chords so they couldn't even tell where he was going next. They coped admirably. Bafflingly, these shows were received with adulation by his adoring fans, whose worshipping of Dylan seemed to blind and deafen them to the glaring horribleness of his shows. Sometimes I felt like the only sane person in the room as the crowd went wild for an unrecognisably mangled version of Highway 61 or Subterreanean Homesick Blues. And don't imagine that at the Hop Farm Festival, Dylan will do anything special: this will be just another night in the never-ending Dylan tour that's been traipsing around the globe for decades. After the first couple of times I'd seen Dylan, I still used to hope that maybe the next show would be the magic one, the one where he really did the business, treated his own songs with respect (but not reverence), did something magical. It never happened, and I am sure that it never will.

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